My dream role is Hans Sachs, but that will have to wait until I come back as a dramatic baritone, so for now I would love to sing Julius Caesar. This is a very challenging role vocally given all of the coloratura required, but I am drawn to the complexity of the character and the stunning music. There are so many different aspects to this man that I am intrigued to figure him out. Also, I'll take pants over a corset any day of the week!
Baba the Turk. Does anyone really WANT to be the bearded lady?
You're right, I have been very lucky to work with some of the most amazing composers, conductors and directors in the world!! But one that I haven't had the pleasure to work with is Sir Simon Rattle. I admire his work and vision so much (especially the St. Matthew Passion he recently conceived with Peter Sellars). I feel he has the same goal I do which is to communicate a pure and honest message without any pretense. I think it would just be heavenly to work with him.
The freedom! My favorite aspect of new music is that there is no set standard for how everything should sound and you can create your own interpretation. This is very liberating. It's the best part of my job. Actually creating something from nothing is the reason that I do this for a living. So many voices need to be heard and it is our job to sing life into them!
It's a War Horse! I am so thrilled to be part of this new piece. This is the first time that John has written something especially for me, and I am completely honored that he and Peter felt I could perform the role of Mary Magdalene. She is definitely a tormented soul who deals with a lot of doubt. This is something that I feel I can relate to and is really challenging me to bring out deep feelings and portray them to the audience. I cannot wait.
I have to admit that I am a choral singer at heart. There is nothing like creating music in a group and I think that is why I am always so glad to work with Peter and have such a familial element added to the creative process. I know that it is my experiences in choir throughout my elementary school days and onto my time at USC that gave me the desire to pursue this as a profession. Not only the music but the wonderful musicians and people I met during those times.
Right now...all of my voice memos. I am listening 24/7 to all of my coachings in preparation for the Adams piece. It is the best learning tool I have! Luckily, I have my first meeting with Osvaldo Golijov recorded on tape (that's how long ago it was that I met him!) and that will be preserved for all time no matter what that tenor does!
Of course, Ainadamar. That was my first recording and it was made after our magical summer in Santa Fe recreating the piece with Peter. Robert Spano was also the first conductor I worked with outside of school (in the original Ainadamar production at Tanglewood) and recording with him and the Atlanta Symphony is like performing with my hometown band. They have become like family to me and have really seen me grow as an artist and a person. I was lucky enough to record the Lieberson Neruda Songs with them as well. I have too many life-changing memories with them to name them all!
Musically speaking it's Bruckner 9 which I just heard at Disney Hall with the L.A. Philharmonic and Sir Simon Rattle. It blew my mind and luckily Gustavo Dudamel's recording came up on my Spotify so I got to hear two amazing interpretations. In life, it's my Vitamix blender. I'm a big foodie and I am obsessed with researching different food trends. I have tried them all! Right now it's Paleo!
I am again lucky to get to spend the summer with the amazing Peter Sellars and my best friend Jessica Rivera performing Golijov's Ainadamar in Madrid!
Labels: 10 Questions
Kodály Háry János Suite
Bartók Concerto for Orchestra
Los Angeles Philharmonic
Walt Disney Concert Hall
Los Angeles, CA
Reneé Fleming and Susan Graham
Walt Disney Concert Hall
Los Angeles, CA
Theater of Voices
Royal Opera House
Massenet Don Quichotte
Mariinsky Opera Orch
Berlin RIAS Chamber Chorus