Well, it’s opera season announcement time again – that annual ritual where we all get our hopes up with promises of things that will certainly not come off as planned in the long run. Vainly, those of us who follow such things will hope that the good surprises will outnumber the disappointments.
LA Opera threw its hat into the ring today with an 08/09 schedule that contains few surprises given what has been reported in the media over the last year. And while there is still considerable recycling of very recent old material, it is hard to complain about a season that involves five new productions out of a total of nine.
First the bad news. LAO will revive
Traviata,
Die Zauberflöte, the Robert Wilson
Butterly, and
Carmen. All but the Mozart have appeared here within the last three years in the same productions. There isn’t too much exciting in the casting here, though the
Zauberflöte cast is strong with Nathan Gunn, Joseph Kaiser, Matthias Goerne, and Erin Wall.
Now the good news. The new William Friedkin/Woody Allen
Il Trittico will open the season with Sondra Radvanovsky singing Sour Angelica. This will be paired with the US premiere of LAO’s commission of Howard Shore’s
The Fly based on the film by David Cronenberg who will act as director for the production with Placido Domingo conducting. It may or may not be a disaster, but it will likely be fun to watch. In 2009, the Recovered Voices project marshaled by James Conlon continues with the US premiere of Walter Braunfels
Die Vögel. And just to top things off, LAO will roll out the first two installments of its newly commissioned Achim Freyer Ring cycle,
Das Rheingold and
Die Walküre, with the previously announced cast to include Michelle DeYoung as Fricka, Linda Watson as Brünnhilde, Anja Kampe as Sieglinde, Vitalij Kowaljow as Wotan, Jill Grove as Erde, and Domingo as Siegmund. Music director James Conlon will lead all of the new productions with the exception of
The Fly as well as the
Zauberflote and
Butterfly revivals.
So there you have it. The company continues to move forward, often in a lumbering way but there is something here to look forward to. The company appears to be looking toward many of its beloved regulars in terms of casting and has eschewed big name stars next season with the exception of general manager Mr. Domingo. But no matter how you slice it, next season looks to be more adventurous than the current one.
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Brian
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